![]() ![]() Burckhardt describes the early Italian humanists as “mediators between their own age and a venerated antiquity.” (Burckhardt, p. Humanism, a cultural and intellectual movement born in Florence, saw in antiquity a culture vastly superior to their own. The Palaeography of Gothic Manuscript Books: From the Twelfth to the Early Sixteenth Century, Albert Derolez, 2003 Krave, The Cambridge Companion to Renaissance Humanism, p. Humanism in Script and Print in the Fifteenth Century. What is the Origin of the Scrittura Humanistica? Bibliofilia, 53, pp. 1-10.ĭavies, M. The Origin and Development of Humanistic Script, B. ‘On Humanistic script’ – The Origin and Development of the Script of the Renaissance, Giulio Menna. From Florentine Script, Paduan Script, & Roman Type. Florentine ‘humanist’ script of Antonio di Mario, 1448. The southern European variant, rotunda or Southern Textualis, is characterized by rounder bows and broader letterforms. However, the extreme angularity and compression of Northern Textura (or Textualis) was resisted in Italy, Spain, and Portugal. In late medieval and early Renaissance Italy, the gothic script, as elsewhere in Europe, was the preeminent formal book-hand. From left to right: Imperial capitals, Rustic capitals, Uncial script, Carolingian minuscule Humanists like Coluccio Salutati (1331–1406) and Poggio Bracciolini (1380–1459), among others, championed a new semi-gothic script that would thereafter evolve into the humanist book-hand. However, by the fourteenth century, changes were afoot. By the twelfth century, this gothic script, with numerous national and local variations, was fully developed and adopted throughout Europe. Not only were letterforms affected by this compression, but the letter-spacing too, so much so that letters begin to kiss, bite, and fuse. However, from the beginning of the eleventh century, through to about 1225, the Caroline minuscule (accompanied by a form of uncial majuscule) evolved into a more angular and laterally compressed script. This Carolingian script flourished in the eighth and ninth centuries. 66) Photo courtesy of University of Fribourg, Switzerland Brown’s A Guide to Western Historical Scripts from Antiquity to 1600, 1990, p. Alcuin of York was responsible for introducing the notion of a hierarchy of scripts from old to new: roman capitals, uncials, and Caroline minuscule, with capital forms reserved for display purposes. From those uncial and half-uncial forms evolved a new formal book-hand practiced in France, that spread rapidly throughout medieval Europe.Ĭaroline minuscule, rustic capitals, uncial, and Caroline / square capitals. In ancient Rome, the Republican and Imperial capitals were joined by rustic capitals, square capitals (Imperial Roman capitals written with a brush), uncials, and half-uncials, in addition to a more rapidly penned cursive for everyday use. But their heritage reaches far beyond the Italian Renaissance to antiquity. Please consider making a donation if you like the free Sonrisa Thin trial version, especially if you use it for commercial purposes.The Renaissance affected change in every sphere of life, but perhaps one of its most enduring legacies are the letterforms it bequeathed to us. Note that the End-User License Agreement applies to both versions of the font. This version is fully functional, but does not include discretionary ligatures, small caps, oldstyle numerals, alternates, Cyrillic, Greek, or fleurons. ![]() Thin, Light, Regular, Medium, Bold, Extra Bold, Black, Titling. The Sonrisa family is available in eight styles: Supports most languages that use the Latin, Greek (modern), or Cyrillic alphabets true small caps and oldstyle numerals. Gentle curves, open counters, and generous x-height give this face a cheerful, playful personality. Sonrisa™ is an 8-font CastleType Original that evolved from my sketches of the skeletal structure of Jakob Erbar’s Koloss. Goudy Trajan Pro includes almost 1500 glyphs in each of three weights, including: uppercase, alternates, swash caps, small caps, vertically centered small caps, fleurons, and much more. Goudy of his rendition of the capital letters inscribed on the Trajan column. Goudy Trajan™ is based on drawings by American type designer F. ![]()
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